The former lacks the firespitting Black Power outro the latter appears minus a final verse and outro, sacrificing fire for a tighter, more upbeat album-closer. Lamar premiered versions of “untitled 03” and “untitled 08” (then known as “untitled 2 (Blue Faces)”) on Colbert and Fallon, respectively, and they’re changed up a bit here. “untitled 01” is tagged 8/9/14, although Lamar rhymes about how he “made To Pimp A Butterfly for you,” referencing an LP that didn’t come out until nearly a year later. The songs are not titled per se, simply numbered and dated, although it’s unclear exactly when they were finished. But before we hit the two-minute mark he’s seeing rapists and murderers, “death faces screaming in agony,” “atheists for suicide/planes falling out the sky/trains jumping off the track.” And this is a jam about uplift. This eight-track, 35 minute set begins in a bedroom, incense burning, Lamar sexing up a lover over soul-jazz, bass-and-percussion foreplay. Of course, nothing’s that simple in the mind of Lamar, and after torching the Grammys, his embers are still popping. It feels like an earned and inclusive celebration of a singular artist’s excellence, achieved against all odds. “Pimp, pimp: hooray!” goes the cheer that reappears throughout the record. Why wouldn’t our best artists mirror that? In the wake of Kanye’s work-in-progress psychodrama comes this left-field Kendrick Lamar surprise drop – a similarly unfinished-feeling, just as all-over-the-place, yet somehow more decisively indecisive set, which functions as a victory lap following the triumph of To Pimp A Butterfly.

We’re up to our molars in data-seas of dissonance, and most of us are flipping out, at least a bit.

Kendrick lamar untitled unmastered cd